Parodia e proprietà intellettuale: bibliografia

Banterle F., L’umorismo è il miglior strumento di difesa: la nozione comunitaria di parodia per la corte di giustizia (Nota a Corte giust. Unione europea, 3 settembre 2014, n. 201/13, Deckmyn c. Vandersteen), in Riv. dir. ind., 2016, II, 75

Boggio L., L’opera parodistica tra proprietà intellettuale e diritti della personalità (Nota a Corte giust. Unione europea, 3 settembre 2014, n. 201/13, Deckmyn c. Vandersteen), in Giur. it., 2015, 1137

Borghi M., The Legal Nature of Parody in Copyright Law: Learning from the Italian Way, in 11 The Italian Law Journal, 2025, n. 1, 29

Caso R., Copyright vs parody: the fair balance doctrine in front of the Italian Supreme Court, Kluwer Copyright Blog, 29.o3.2023, Zenodo: https://zenodo.org/record/7854964#.ZEPJoHZBy3I

Caso R., Il diritto d’autore e la parodia dietro la maschera di Zorro. Duellando (in Cassazione) tra esclusiva e libertà sul giusto (e instabile) equilibrio tra diritti fondamentali (nota a Cass. Sez. I civile ord. 30 dicembre 2022 n. 38165, in Foro it., 2023, I, 806), disponibile in Open Access su Zenodo; DOI: https://zenodo.org/record/7855034#.ZEPwVHZBy3I

Derclaye E., Published in IPQ 2023, issue 2, pp 79-85. This is the pre-copy-edited version of the article. To what extent is the parody exception truly harmonised? An empirical analysis of the Member States’ case law post-Deckmyn (March 1, 2023). Intellectual Property Quarterly, forthcoming 2023, Available at SSRN: https://ssrn.com/abstract=4373828

Di Nicola L., L’appropriazionismo artistico nell’arte visuale: una comparazione tra Italia e Stati Uniti, Trento Law and Technology Research Group, Student Paper Series; 64, 2021, Trento: Università degli Studi di Trento. 978-88-8443-942-

Dogan S.L., Lemley M.A., Parody as Brand (November 2, 2012). Stanford Public Law Working Paper No. 2170498, 47 U.C. Davis Law Review 473 (2013) , Available at SSRN: https://ssrn.com/abstract=2170498 or http://dx.doi.org/10.2139/ssrn.2170498

Dore G., Plagio e diritto d’autore. Un’analisi comparata e interdisciplinare, Wolters Kluwer Italia S.r.l./CEDAM, 2021, https://doi.org/10.5281/zenodo.5961499

Emiliozzi E.A., L’appropriation art, tra fair use americano e diritto d’autore italiano, Rassegna di diritto della moda e delle arti, 2024, fasc. 2, 125

Erickson K., Kretschmer M., Mendis D., Copyright and the Economic Effects of Parody: An Empirical Study of Music Videos on the Youtube Platform and an Assessment of the Regulatory Options (January 1, 2013). Intellectual Property Office Research Paper No. 2013/24, Available at SSRN: https://ssrn.com/abstract=2602698

European Copyright Society, Opinion of the European Copyright Society on CG and YN v Pelham GmbH and Others, Case C-590/23 (Pelham II), 6 November 2024

Fabris D., Laughing Is Not an Exception! An Italian Perspective on the Autonomous Protection of Parodies Beyond Elaboration, IIC (2024) 55:530–556 https://doi.org/10.1007/s40319-024-01457-5

Gattillo F., Appropriazione artistica tra plagio e parodia: analisi in diritto comparato, in Arte e dir., 2022, 243

Ghidini G., Cavani G., “Eccezioni” e “limitazioni” fra ordinamento Ue e ordinamento italiano del diritto d’autore: il caso della parodia, in Giur. comm., 2024, I, 471

Griffiths J., Fair Dealing after Deckmyn – The United Kingdom’s Defence for Caricature, Parody or Pastiche (April 26, 2016). M Richardson and S Ricketson, Research Handbook on Intellectual Property in Media and Entertainment, Edward Elgar, 2017, Forthcoming, Available at SSRN: https://ssrn.com/abstract=2770508

Henaff G., Caricature, satire et parodie : l’affranchissement des lois du genre. Défier la décence. Crise du sens et nouveaux visages du scandale dans l’art, L. Brogowski, J. Delaplace et J. Laurent (dir.)„ Artois Presses Université, 2016. ￿hal-02429373￿

Jacques S., Humour as Strategy: The Commercial Risks and Boundaries of Trade Mark Parody (April 22, 2025). Available at SSRN: https://ssrn.com/abstract=5289123 or http://dx.doi.org/10.2139/ssrn.5289123

Jacques S., The EU trade mark system’s lost sense of humour. (December 8, 2023). Forthcoming in (2024) 1 Intellectual Property Quarterly Journal 1, Available at SSRN: https://ssrn.com/abstract=4684778

Jacques S., Derclaye E., The parody exception in EU design law: A catalyst for creative evolution, innovation and cultural discourse, European Intellectual Property ReviewJournal, 01 May 2024

Jacques S., The Parody Exception in Copyright Law, Oxford, 2019

Lai A., The Natural Right to Parody: Assessing the (Potential) Parody/Satire Dichotomies in American and Canadian Copyright Laws (Originally in Windsor Yearbook of Access to Justice 2018; Updated Version Republished on SSRN, January 2021) (January 16, 2021). WIndsor Yearbook of Access to Justice 2018 (updated version of the original), Available at SSRN: https://ssrn.com/abstract=3925229 or http://dx.doi.org/10.2139/ssrn.3925229

Lemley M.A., Tushnet R., First Amendment Neglect in Supreme Court Intellectual Property Cases (January 11, 2024). Available at SSRN: https://ssrn.com/abstract=4691950 or http://dx.doi.org/10.2139/ssrn.4691950

Lemley M.A., Fame, Parody, and Policing in Trademark Law (September 4, 2018). Stanford Public Law Working Paper, 2019 Michigan State Law Review 1 (2019), Available at SSRN: https://ssrn.com/abstract=3243968 or http://dx.doi.org/10.2139/ssrn.3243968

Mezei P., Jutte B.J., Sganga C., Pascault L., Oops, I Sampled Again … the Meaning of ‘‘Pastiche’’ as an Autonomous Concept Under EU Copyright Law, IIC (2024) 55:1225–1256 https://doi.org/10.1007/s40319-024-01495-z

Mezzetti C. E., Qui rido io: la parodia tra diritto d’autore e libertà di espressione (Nota a Cass. civ., sez. I, 30 dicembre 2022, n. 38165 (ord.), in Giur. it., 2024, 112

Minio F., Riflessioni in tema di tutela giuridica dell’appropriation art in ambito figurativo, Aedon, 2019, pp. 260-267, DOI: 10.7390/96139

Mocati L., Sulla parodia e la causa D’Annunzio-Scarpetta, HISTORIA ET IUS – ISSN 2279-7416 – DOI 10.32064/20.2021.16 – 1 dicembre 2021, www.historiaetius.eu – 20/2021 – paper 16

Mouron P., L’usage transformatif de Tintin “ validé ” au titre de l’exception de parodie, Dalloz IP/IT : droit de la propriété intellectuelle et du numérique, 2021, 11, pp.563. halshs-03446991

MOURON P., « L’exception de parodie applicable à une vidéo militante ? Le cas de la vidéo de l’association L214 », note sous CA Paris, P. 5, 2ème Ch., 13 mars 2020, RG n° 19/04127, Dalloz IP/IT, octobre 2020, pp. 566-569, https://hal.science/halshs-02970180v1

Mouron P., De la parodie à la métaphore humoristique, Revue Lamy Droit de l’immatériel, 2019, 163, pp.21-27. hal-02327007

Mouron P., La contrefaçon d’une photographie par une sculpture ”transformative”. Dalloz IP/IT : droit de la propriété intellectuelle et du numérique, 2017, 5, pp.277-280. hal-01521610v2

Moyse P.M., « La parodie », (1998) 10 CPI. En ligne : https://cpi.openum.ca/s/2155

Nino M., Il rapporto tra libertà di espressione e diritto d’autore: considerazioni critiche alla luce della prassi nazionale ed internazionale, in Diritti umani e diritto internazionale (ISSN 1971-7105) Fascicolo 3, settembre-dicembre 2016 (doi: 10.12829/85094)

Perdices Huetos, Antonio B., El pastiche, ¿más acá o más allá de la parodia? (Pastiche, Parody and Caricature: Three Faces of the Same Reality) ( 2023). “De Iure Mercatus. Libro Homenaje al Prof. Dr. H.c. Alberto Bercovitz Rodríguez-Cano” (Coord. Por José Antonio García Cruces González), Valencia [Tirant lo Blanch), 2023, ISBN 978-84-1197-272-7, pp. 1335-1364., Available at SSRN: https://ssrn.com/abstract=4719299 or http://dx.doi.org/10.2139/ssrn.4719299

Perotti R., La parodia tra diritti d’autore e di marchio (Nota a Cass. civ., sez. I, ord. 30 dicembre 2022, n. 38165), in Riv. dir. ind., 2024, II, 20

Pievatolo M.C. , Fra cose e persone: D’Annunzio c. Scarpetta (1908), 09.05.2024, Zenodo, https://doi.org/10.5281/zenodo.11163103

Poggeschi G., Ridere e deridere. La satira negli USA ed in Francia fra libertà individuale ed esigenze collettive, Consulta online, 2018, 165

Remotti G., Diritto d’autore e libertà di espressione: eccezioni e limitazioni quali user rights?, in M. Perini (a cura di) La tutela dei diritti nell’era della riproduzione artistica digitale, FUP-Usiena Press, 2025, DOI: 10.36253/979-12-215-0702-7

Rinaldi F., Parodia e diritto d’autore (Nota a T. Napoli, 15 febbraio 2000, De Filippo c. Altieri), in Foro nap., 2000, 176

Rosati E., Just a Laughing Matter? Why the CJEU Decision in Deckmyn is Broader than Parody (November 18, 2014). (2015) 52(2) Common Market Law Review 511-529, Available at SSRN: https://ssrn.com/abstract=2526835

Senftleben, M. R. F., Quotations, Parody and Fair Use. In P. B. Hugenholtz, A. A. Quaedvlieg, & D. J. G. Visser (Eds.), A Century of Dutch Copyright Law – Auteurswet 1912-2012 (pp. 359-412). DeLex, 2012

Spina Ali G., The (Missing) Parody Exception in Italy and its Inconsistency with EU Law, 12 (2021) JIPITEC 414

Strowel M.P., Strowel A., La parodie selon le droit d’auteur et la théorie littéraire, R.I.E.J., 1991, 26

Vasselli L., Zorro è finalmente libero? Parodia pubblicitaria e diritti d’autore (Nota a A. Roma, 19 novembre 2012, Soc. Cogedi c. Zorro Productions inc.), in Dir. informazione e informatica, 2013, 349

Yu P.K., Digital Copyright and the Parody Exception in Hong Kong: Accommodating the Needs and Interests of Internet Users (November 2, 2013). Available at SSRN: https://ssrn.com/abstract=2349007 or http://dx.doi.org/10.2139/ssrn.2349007