Digitalizzazione del patrimonio culturale e diritto d’autore: bibliografia

Aliprandi S., Vincoli alla riproduzione dei beni culturali, oltre la proprietà intellettuale, Archeologia e CalcolatoriSupplemento 9, 2017, 93-110

Arisi M., Digital Single Market Copyright Directive: Making (Digital) Room for Works of Visual Art in the Public Domain, in Opinio Juris in Comparatione, 1/2020

E. Battelli, B. Cortese, A. Gemma, A. Massaro (a cura di), Patrimonio culturale. Profili Giuridici e tecniche di tutela, Roma, RomaTrE-Press, 2017

Benhamou Y., Revised Report on Copyright Practices and Challenges of Museums (November 16, 2018). Available at SSRN: https://ssrn.com/abstract=3449290 or http://dx.doi.org/10.2139/ssrn.3449290

Brown M. A., Crews K. D., Control of Museum Art Images: The Reach and Limits of Copyright and Licensing (January 20, 2010). Available at SSRN: https://ssrn.com/abstract=1542070 or http://dx.doi.org/10.2139/ssrn.1542070

Coad, Samuel, Digitisation, Copyright and the GLAM Sector: Constructing a Fit-For-Purpose Safe Harbour Regime (September 6, 2019). (2019) 50 VUWLR 1; Victoria University of Wellington Legal Research Paper, Student/Alumni Paper No. 13/2019. Available at SSRN: https://ssrn.com/abstract=3449037

Crews K.D., Museum Policies and Art Images: Conflicting Objectives and Copyright Overreaching (July 1, 2012). Fordham Intellectual Property, Media & Entertainment Law Journal, Vol. 22, p. 795, 2012. Available at SSRN: https://ssrn.com/abstract=2120210

Cronin C., Possession is 99% of the Law: 3D Printing, Public Domain Cultural Artifacts & Copyright (March 8, 2016). USC Law Legal Studies Paper No. 16-13. Available at SSRN: https://ssrn.com/abstract=2731935 or http://dx.doi.org/10.2139/ssrn.2731935

De Meo R., A RIPRODUZIONE DIGITALE DELLE OPERE MUSEALI FRA VALORIZZAZIONE CULTURALE ED ECONOMICA, Diritto dell’Informazione e dell’Informatica (Il), fasc.3, 1 GIUGNO 2019, pag. 669

Finocchiaro G., La valorizzazione delle opere d’arte on-line e in particolare la diffusione on-line di fotografie di opere d’arte. Profili giuridici, Aedon, nr.2/2009

Forte P., Il bene culturale pubblico digitalizzato. Note per uno studio giuridico, in P.A. Persona e Amministrazione, nr. 2/2019

Frosio, Giancarlo, Communia and the European Public Domain Project: A Politics of the Public Domain (March 1, 2012). The Digital Public Domain: Foundation for and Open Culture (Juan Carlos De Martin and Melanie Dulong de Rosnay eds., Open Book Publishers 2012), DOI: 10.11647/OBP.0019 , Available at SSRN: https://ssrn.com/abstract=2921318

Hansen D.R., Copyright Reform Principles for Libraries, Archives, and Other Memory Institutions (July 14, 2014). Berkeley Technology Law Journal, Forthcoming, Vol. 29, 1559, 2014. Available at SSRN: https://ssrn.com/abstract=2466091

Heald, Paul J., How Copyright Keeps Works Disappeared (July 5, 2013). Illinois Program in Law, Behavior and Social Science Paper No. LBSS14-07, Illinois Public Law Research Paper No. 13-54, Available at SSRN: https://ssrn.com/abstract=2290181 or http://dx.doi.org/10.2139/ssrn.2290181

Hirtle P., Hudson E., Kenyon A. T., Copyright and Cultural Institutions: Guidelines for Digitization for U.S. Libraries, Archives, and Museums (October 27, 2009). Peter B. Hirtle, Emily Hudson, and Andrew T. Kenyon, COPYRIGHT AND CULTURAL INSTITUTIONS: GUIDELINES FOR DIGITIZATION FOR U.S. LIBRARIES, ARCHIVES, AND MUSEUMS, Ithaca, NY: Cornell University Library Press, Forthcoming ; U of Melbourne Legal Studies Research Paper No. 434. Available at SSRN: https://ssrn.com/abstract=1495365

Keller P., Margoni T., Rybicka K., Tarkowski A., Re-Use of Public Sector Information in Cultural Heritage Institutions (November 4, 2014). Available at SSRN: https://ssrn.com/abstract=2519075 or http://dx.doi.org/10.2139/ssrn.2519075

Keller J., ExplainerWhat will the new EU copyright rules change for Europe’s Cultural Heritage Institutions, in Europeana Pro Blog, the 9th of June 2019 (adjourned as of November 2019), available at: https://pro.europeana.eu/post/explainer-what-will-the-new-eu-copyright-rules-change-for-europe-s-cultural-heritage-institutions.

LIBEREUROPE, Limitations and Exceptions in EU Copyright Law
for Libraries, Educationalnand Research Establishments: A Basic Guide
, 2016

Lis-Gutiérrez, Jenny-Paola, Gestión De La Propiedad Intelectual En Museos (Management of Intellectual Property in Museums) (November 27, 2015). Available at SSRN: https://ssrn.com/abstract=2696054 or http://dx.doi.org/10.2139/ssrn.2696054

Magnani P., LA PROTEZONE DEI MARCHI DEL MUSEO TRA TUTELA DEI SEGNI DISTINTIVI E SFRUTTAMENTO DELLA NOTORIETÀ, Rivista di Diritto Industriale, fasc.4-5, 1 OTTOBRE 2017, pag. 153

Magnani P., MUSEI E VALORIZZAZIONE DELLE COLLEZIONI: QUESTIONI APERTE IN TEMA DI SFRUTTAMENTO DEI DIRITTI DI PROPRIETÀ INTELLETTUALE SULLE IMMAGINI DELLE OPERE, Rivista di Diritto Industriale, fasc.6, 2016, pag. 211

Manfredi G., La tutela proprietaria dell’immateriale nei beni culturali, in Il diritto dell’economia, vol. 30, nr. 92 (1-2017), 92-93

Marciano A., Moureau N., Museums, Property Rights, and Photographs of Works of Art. Why Reproduction Through Photograph Should Be Free (August 1, 2016). Review of Economic Research on Copyright Issues, 2016, 13(1), 1-28. Available at SSRN: https://ssrn.com/abstract=2840305

Margoni M., The digitisation of cultural heritage: originality, derivative works and (non) original photographs, 2014, available at: http://eprints.gla.ac.uk/149774/1/149774.pdf

Modolo M., Reinventare il patrimonio: il libero riuso dell’immagine digitale
del bene culturale pubblico come leva di sviluppo nel post Covid1 2
, in Territori della cultura, 2020

Modolo M., PROMOZIONE DEL PUBBLICO DOMINIO E RIUSO DELL’IMMAGINE DEL BENE CULTURALE, in Archeologia e calcolatori, 2018

M. Modolo, Fotografare per conservare: libera riproduzione come opportunità per la tutela delpatrimonio archivistico e bibliografico, in M. Zanetti (a cura di), Dalla tutela al restauro del patrimonio librario e archivistico. Storia, esperienze, interdisciplinarietà, Venezia 2018, pp. 107-120 https://edizionicafoscari.unive.it/it/edizioni4/libri/978-88-6969-216-1/fotografare-per-conservare-libera-riproduzione-com/

M. Modolo, Libera riproduzione digitale di beni culturali: prospettive per la ricerca, opportunità perla valorizzazione, in R. Auriemma (a cura di), La democrazia della conoscenza. Patrimoni culturali,sistemi informativi e open data: accesso libero ai beni comuni?, Udine 2017, pp. 53-64

Modolo M., (2017). Il dibattito sulla liberalizzazione della fotografia digitale in archivi e biblioteche quattro anni dopo l’appello di Reti Medievali. Reti Medievali Rivista, 18(1), 13-38. https://doi.org/10.6092/1593-2214/5066

M. Modolo, Verso una democrazia della cultura: libero accesso e libera condivisione dei dati, in Archeologia e Calcolatori, Supplemento 9, 2017, pp. 109-132http://www.archcalc.cnr.it/indice/Suppl_9/11_Modolo.pdf

Modolo M., Tumicelli, Una possibile riforma sulla riproduzione dei beni bibliografici ed archivistici, Aedon, 1/2016, gennaio-aprile

Montagnani, Maria Lillà and Zoboli, Laura, The Making of an ‘Orphan’: Cultural Heritage Digitisation in the EU (March 30, 2016). International Journal of Law and Information Technology, Oxford University Press, Volume 25, Issue 3, Autumn 2017, 196. Available at SSRN: https://ssrn.com/abstract=2757245 or http://dx.doi.org/10.2139/ssrn.2757245

Panezi A., Europe’s New Renaissance: New Policies and Rules for Digital Preservation and Access To European Cultural Heritage (November 26, 2018). Columbia Journal of European Law, Vol. 24, No. 3, 596, 2018. Available at SSRN: https://ssrn.com/abstract=3338179

Reese R.A., Preserving the Unpublished Public Domain (2010). WORKING WITHIN THE BOUNDARIES OF INTELLECTUAL PROPERTY: INNOVATION POLICY FOR THE KNOWLEDGE SOCIETY, edited by Rochelle C. Dreyfuss, Harry First, & Diane L. Zimmerman, Oxford University Press 2010, Chapter 3; UC Irvine School of Law Research Paper No. 2012-57. Available at SSRN: https://ssrn.com/abstract=2082109

Reese R.A., Photographs of Public Domain Paintings: How, If at All, Should We Protect Them? (2009). Journal of Corporation Law, Vol. 34, No.4, 2009; UC Irvine School of Law Research Paper No. 2012-53. Available at SSRN: https://ssrn.com/abstract=2070831

Resta G., La privatizzazione del patrimonio culturale nell’era digitale, in Parolechiave, 1/2013, gennaio-giugno

Resta G., Il regime giuridico dell’immagine dei beni, Treccani, 2013

Resta G., Chi è proprietario delle Piramidi? L’immagine dei beni tra property e commons, in Politca del diritto, 4/2009, dicembre

Rimmer M., 3D Printing Jurassic Park: Copyright Law, Cultural Institutions, and Makerspaces (December 18, 2016). Pandora’s Box, 1-12. . Available at SSRN: https://ssrn.com/abstract=2887167

Samuelson, Pamela, Challenges in Mapping the Public Domain. THE PUBLIC DOMAIN OF INFORMATION, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006, Available at SSRN: https://ssrn.com/abstract=756484 

Sater S., Wright R., A Conversation on Art, Museums, and Blockchain (June 19, 2019). Tulne Journal of Technology & Intellectual Property, Vol. 21, No. 35, 2019. Available at SSRN: https://ssrn.com/abstract=3406841

Sbarbaro, CODICE DEI BENI CULTURALI E DIRITTO D’AUTORE: RECENTI EVOLUZIONI NELLA VALORIZZAZIONE E NELLA FRUIZIONE DEL PATRIMONIO CULTURALE, Rivista di Diritto Industriale, fasc.2, 2016, pag. 63

Shaver, Lea Bishop, The Right to Science: Ensuring that Everyone Benefits from Scientific and Technological Progress (February 12, 2015). Indiana University Robert H. McKinney School of Law Research Paper No. 2015-5. Available at SSRN: https://ssrn.com/abstract=2564222 or http://dx.doi.org/10.2139/ssrn.2564222

Shaver, Lea Bishop, The Right to Science and Culture (March 6, 2009). Wisconsin Law Review 2010, no. 1 121-184 . Available at SSRN: https://ssrn.com/abstract=1354788 or http://dx.doi.org/10.2139/ssrn.1354788

Shaver, Lea Bishop and Sganga, Caterina, The Right to Take Part in Cultural Life: On Copyright and Human Rights (July 21, 2009). Wisconsin International Law Journal 27 (2010): 637-662. Available at SSRN: https://ssrn.com/abstract=1437319

Stabile S., La tutela e la conservazione degli Archivi Futuristi nel diritto d’autore, Dir. Industriale, 2003, 5, 477

Stabile S., Beni culturali e proprietà intellettuale dei musei: nuovi scenari, Dir. Industriale, 2002, 3, 299

Townsend Gard, Elizabeth, Creating a Last Twenty (L20) Collection: Implementing Section 108(h) in Libraries, Archives and Museums (October 2, 2017). Available at SSRN: https://ssrn.com/abstract=3049158 or http://dx.doi.org/10.2139/ssrn.3049158

Tumicelli A., L’immagine del bene culturale, Aedon, nr. 1/2014

Wallace A., Euler E., Revisiting Access to Cultural Heritage in the Public Domain: EU and International Developments, in IIC – International Review of Intellectual Property and Competition Law, 2020, n. 51, 838, available at: https://ssrn.com/abstract=3575772.

WIPO REVISED REPORT ON COPYRIGHT PRACTICES AND CHALLENGES OF MUSEUMS prepared by Dr. Yaniv Benhamou, 2019

WIPO Study on Copyright Limitations and Exceptions for Libraries and Archives prepared by Kenneth Crews, J.D, Ph.D, Attorney at Law, 2017

WIPO Study on Copyright Limitations and Exceptions for the Visually Impaired prepared by Judith Sullivan, Consultant on Copyright and Public Affairs, 2007

WIPO Study on Copyright Limitations and Exceptions for Educational Activities in North America, Europe, Caucasus, Central Asia and Israel prepared by Professor Raquel Xalabarder, Chair of Intellectual Property at the Universitat Oberta de Catalunya, Barcelona